IAGG Winter 2020 Schedule is posted! The following groups were selected by random.org (our official supplier of random numbers for more than 10 years!) for the upcoming season of IAGG!!
8 Bit Improv
Again & Again
Ferrari Formula One
Richie vs Bradley
The Experimentations of Dr Tieglitz
The Latest Night
The Persephonee Project Reunion Tour
Wolf Blitzer Trio
Fun fact: We had more than 130 entries for the 20 groups this season
The most current version of the schedule is always the Google Calendar which lives online here:
It is that magical time again, friends… Off Book is coming up January-February at HUGE Theater, and we’re looking for improvisers and on-script actors. If you’re interested — EVEN IF YOU HAVE PERFORMED IN THE SHOW BEFORE — please fill out this form.
A full description of Off Book is at the link, but here’s the quick version: Off Book is one of HUGE’s longest-running shows. It pairs a scripted actor who has memorized a scene with an improviser who is coming in clueless, and the results are kinda magical.
We’re holding limited auditions on Dec 3 for improvisers whose work we don’t know well. If we don’t ask you to audition, that just means we already know you.
PLEASE NOTE: – There may be a few more minor adjustments. We’ll contact any affected groups directly. – please be aware of your set length as they are not all the same.
– The t-shirt order goes in November 1st – if you send “oh hey, we need to add one more to the shirts” after October 31, there won’t be much I can do for you.
– Graphics for sharing/posting are coming soon – we have been holding off on some of them to avoid early donations, there will be a big rollout of info and images after Nov. 1st.
Thank you to everyone for being part of this massive day It’s gonna be unreal.
WEDNESDAY, NOV 13
Butts & Beef
The Shrieking Harpies
The Bearded Company
Feel Good About Yourself Orchestra
Last Action Movie
THURSDAY, NOV 14
GIVE TO THE MAX DAY!!!
GttMD Kickoff/The Ops Team
Larry the Fable Guy
Shelly & Ethel: Take the Stage!! presents “”We’re All Doomed,”” a live improvisational show about Who Cares P.S. Butch don’t take any of this out this is all part of the title; yes, this part too. ¯\_(ツ)_/¯
Thank you to everyone who auditioned for Throwback 2020. We had nearly 130 folx audition this year and were positively overwhelmed by the talent. It was an incredibly difficult decision. Congrats to this year’s cast:
CAT’S CRADLE Directed by Jill Bernard / Asst. Director Emily Lindholm
Bryce Kalal Chris Rodriguez Danielle Heinert Jada Jacinta Pully Justin Betancourt Mawrgyn Roper Neil Razdan Sarah Arnold Sean Dillon Shelby Schroeder
LIVING ROOM Directed by Rita Boersma / Asst. Director Alexis Camille
Andrew Lindvall Erik Ostrom Jenny Shaw Kate Button Lauren Chesnut Lizzie Gardner Matt Prindle Max Friedman Nora Coyle Sam Fathallah
DECONSTRUCTION Directed by Hannah Wydeven / Asst. Director Susannah Eckburg
Adam Iverson Hannah McNamee Jack Callahan Julie Censullo Kari Mellerup Paige Kraemer Matt Slater Marty Wessels Michael Rogers Sarah Baker
Improvisers at HUGE Improv Theater are taking the stage — and not giving it back for 28 hours — to raise money for the the non-profit artist-led improvisational theater. It’s a one-of-a-kind fundraising barnstorm that coincides with Give to the Max Day, November 15, an annual event when Minnesotans display their generosity by celebrating and donating to local nonprofits through GiveMN.org.
Come ask questions, get more info and meet your fellow contenders as we gear up for GTMD2018!
SCHEDULE The Improvathon gets underway on Wednesday night, November 13, starting at 8PM, leading up to the official Give to the Max Day start at midnight on Thursday, November 14. A succession of more than 125 local improvisers will lead audiences through 28 hours of spontaneous, unrehearsed, improvised theater. The program will end at midnight Nov. 14.
The goal of HUGE’s 28-hour Improvathon is to raise funds for the LynLake-area theater and support improvisational theater in the Twin Cities. In addition to producing 500+ shows a year, HUGE teaches 600+ students annually, and supports the education and career development of performing artists.
Admission is pay-what-you-can, with a suggested minimum donation of $10. HUGE is located at 3037 Lyndale Ave. South near Lake and Lyndale in Minneapolis.
What is Improvathon? Improvathon is a 28-hour improv marathon fundraiser benefiting HUGE Improv Theater. It is timed to coincide with GiveMN.org’s Give to the Max Day, an annual statewide day of giving, on Thursday, November 14, 2019.
What is the schedule? Starts: Wednesday, November 13 at 8:00PM Ends: Thursday, November 14 at 11:59PM
So that’s it? 28-hours of improv and fundraising? Basically! But it ends up being much more. It is a chance for the larger community – students, performers and audience — to get together. In years past, the Improvathon has been the impetus for brand new groups to form. It is also an important opportunity for many students and performers to get on stage and show their friends and family – inside and outside the Twin Cities — why improv and HUGE are important to them.
Also, there are amazing people who sign up to be Iron Audience contenders and watch 24-hours of improv. These intrepid souls form the backbone of the audience, especially at 3:30 in the morning, and support performers.
Why does HUGE schedule this to coincide with GiveMN.org’s Give to the Max Day? Give to the Max Day (GTMD) is an important arts and nonprofit awareness tool that makes a big impact statewide. By participating in GTMD, we are part of a much larger event, and are supporting fellow Minnesota nonprofits.
In addition, HUGE will be eligible to win $1,000 – $10,000 extra dollars based on incentives from GiveMN. 2019 Prizes include – $500 Golden Tickets every 15 minutes – two “Power Hour” challenges – each worth $6,000 – hourly $1000 Golden Tickets – $500 Early Giving Tickets, starting Nov 1 – the final $10,000 Golden Ticket!
Every donation through GiveMN on GTMD is an entry to win those prizes.
What are some easy ways I can participate?
Come watch some shows – Bonus points if you make a donation to HUGE via GiveMN.org at home and then bring a printout to HUGE.
Be an Iron Audience Contender – If you are comfortable with staying up for 24-hours (midnight to midnight), this could be a great option. If not, just come out and watch some shows! A lot of us will be there, and it will be fun. (See Iron Audience FAQ below for more details.)
Volunteer – We’ll need 30 hours of box officers, tech booth operators, help with food, general tidying, massage therapists (?), you name it! A volunteer sign-up sheet will be posted soon.
Encourage people to contribute before they come to the theater – Our goal is to get donors to donate online and bring a printout w/ them to HUGE. It’s faster/easier for them and for the box office.
Offer or find a Matching Grant – GiveMN has piles of research that says projects with Matching Grants receive more donations. A Matching Grant can be as small as $100 to be effective. Contact butch at hugetheater dot com if you’re interested.
Donate! – Back one or more teams of your choosing, don’t be shy.
Spread the word– Word of mouth is incredibly important to HUGE, not only for the Improvathon, but for all our shows. If you haven’t reviewed HUGE on Google, consider doing that. Sincere, great reviews are among the most valuable gifts you can give.
FAQ FOR IMPROV PERFORMERS
How many performance slots are there, and how do I sign up? There are approximately 42 timeslots available, about the same as last year. The link to the form to request a performance time is: https://hugetheater.formstack.com/forms/iat19.
**registration does not guarantee a spot as an Iron Audience or in the schedule as a Performer – though we will do our best to accommodate requests**
Can I be in more than one group that performs? Of course! We just ask that you consider how thin you are spreading yourself in terms of time and energy, but also your ability to contribute to each groups’ fundraising goals. Also know that there are a lot of improvisers who want to participate, and so try to leave room for others.
Is there a prize? Yes. The performer/group that raises the most funds will receive a custom coaching session from a special guest, either in March or during Twin Cities Improv Festival in June. In addition, the group will receive their name on the wall, bragging rights, and HUGE scarves.
Pro Tip: Finding matching grants for your group are a great strategy if you want to win the top fundraising prize, but also is a great thing for people that want to give before Give to the Max Day. It is a great way to get the word out and start fundraising right away. At present, we don’t have a matching donor set up. You could get one for your own group. Or ask your work if they donate to 501c3 nonprofits like HUGE.
I’m uncomfortable with fundraising, but I want to perform. Can I just sign up for a performance time? Not really. Improvathon is HUGE’s biggest annual fundraiser. We are asking each performance time to try to raise at least $500. In years past we haven’t specifically asked groups to fundraise as part of this event, but it is very important to sustaining the theater. Part of our hope and vision that Improvathon could raise $100,000 or more for HUGE this year. (It sounds like a lot, but that’s about two month’s operating expenses.)
We will do our best to make fundraising easy for you – and there are a lot of tools to do that, through GiveMN.org’s online donation site and through tips and samples we will provide. Keep in mind, this isn’t about cold calling strangers. You’ll be asking family and friends who know you, and are asking them to support a nonprofit cause that’s personally important to you.
If you are truly uncomfortable asking friends and family to donate, please choose another way to perform at HUGE. Everyone is welcome to Space Jam each week, or to enter the Improv A Go Go lottery, or to take a class and perform in the showcase, or to submit a show idea, or all of the above. And those are just the opportunities at HUGE, there are many more in the Twin Cities. All to say, this is not just a performance slot, it is a chance to financially support a nonprofit theater with a mission to support the improv community.
Cool, I will renew my Membership that day for part of my fundraising goal! Oh, gosh, you guys. Members and Memberships are ALWAYS very much appreciated but administering this has grown too complex to sustain. We’ve enacted a rule that memberships — while enormously appreciated — will not count toward Improvathon team goals nor will it count toward the final tally of what is raised during Improvathon.
FAQ for IRON AUDIENCE
Every year, around 11-25 people sign up to be Iron Audience contenders, which means they plan to stay awake to watch 24-hours of improv (midnight to midnight).
Does having an Iron Audience really help? Performers are grateful for the Iron Audience, and the tremendous boost their presence gives. In return, performers work hard to create the best show possible for the audience, even at — or maybe especially at — 3AM. Beyond that, Iron Audience helps HUGE by posting on social media and, of course, and by raising funds. What does an Iron Audience contender get? Those who watch 24 hours of improv (midnight to midnight) get their name on HUGE’s wall and a badge, plus an Improvathon T-shirt. Beyond that, HUGE does what it can to make Iron Audience contenders welcome and comfortable.
This year, the Iron Audience contender who raises the most funds will receive a Golden Ticket to HUGE, good for a year of free shows, and a HUGE Theater hoodie. All Iron Audience contenders that complete the 24-hours will get their names on HUGE’s wall, plus a T-shirt and badge.
What are the Iron Audience rules? The rules are based in the honor system — the idea is to be in the theater watching performances, and no performances can be skipped. Sleeping through shows and/or being absent from the theater are outside of the spirit of the event. That said, people need to take breaks for bathroom and snacks, and may want to step outside under the awning to get some fresh air. It is also possible a person might doze off here and there. All of these things are acceptable.
The Iron Audience portion of the event runs for 24-hours and begins promptly at 12:00 a.m. on Thursday, November 15. There is a kick-off reception and four hours of improv prior to that (starting at 7 p.m. on Wednesday night) that you are of course welcome to attend. But it’s not part of Iron Audience.
What if I change my mind, or get sick, or get called into work? This is a low-pressure, low-stakes event where your health and peace of mind are top priority. For that reason, we reserve the right to discontinue any person’s participation in Iron Audience, including in concern for health, safety or comfort. If at any point you’re feeling sick and/or just need to take a break or go home, you should! We will never stop being grateful for all you do.
I’m uncomfortable with fundraising, but I want to be an Iron Audience contender. Can I just show up and stay? Not exactly. You are certainly free to come to HUGE and watch as much improv as you’d like! To participate as an Iron Audience contender, though, is to participate in an important part of the fundraiser. This portion of the event is arguably the most “a-thon” part of the whole Improvathon. We are asking each Iron Audience contender to sign up by November 5 and to commit to raising at least $100 for HUGE as part of the event. (Registration link is here: http://tinyurl.com/iat2018IRON.)
We will do our best to make fundraising easy for you – and there are a lot of tools to do that, through GiveMN.org’s online donation site and through tips and samples we will provide. Keep in mind, this isn’t about calling strangers. You’ll be asking family and friends who know you, and are asking them to support a nonprofit cause that’s personally important to you.
I don’t see the answer to my question here – who can I contact? Feel free to send questions to Sean at hugetheater dot com.
This came to our by way of FairPlay with an ask that we make a statement in response :
“The [ directors ] that HUGE Theater hires for their shows to produce are seemingly missing the intersection in representation. While I applaud the number of non-male identified people they have hired to direct, they are aggressively white, and often will employ a POC female as an Assistant Director. This is not a good look and I don’t feel comfortable informing people of auditions there when there is no POC in leadership roles in the rehearsal rooms. Their diversity leader is looking more and more like a token as far as leadership at HUGE.”
OF NOTE: This came to us at a time when the Assistant Directors (which we certainly view as a leadership role) were still TBD and conversations are still in progress – we made sure to make this note a part of that conversation as well so there was full disclosure and no one would have to wonder if this was a factor
We have been talking to people of color about the director’s chair – Those we have spoken to for Throwback Night have either had schedule conflicts or don’t feel ready themselves. Those we haven’t spoken to yet may not be on our radar yet as people we know to be interested or perhaps a better fit for another show in the future.
All that means is we are going to keep asking and working – the process isn’t just pushing a boulder up a hill, it’s pushing ten boulders up ten hills and we know we have a lot more to do and none of those boulders has moved as far as we’d like.
We have had some failures where in the rush to diversify, POC improvisors found themselves in less-than-optimal circumstances which is the opposite of the dream. We understand you’d rather we worked faster, so it’s ok if you don’t feel we’ve gotten far enough for you to send people our way, that comfort and trust is what we’re doing a lot of work to earn.
The truth is that you’re right – we’re not there yet. If we were only doing it for good optics it would be so much easier, but we’re not. We are hoping you will stick around, because what we are building has a solid foundation, with an eye on sustainability – and we want you to be part of it as well.
To anyone reading: if you feel like you personally have been overlooked for a director’s position at HUGE, please come speak to us, it is a conversation that cannot be had through blog posts
Thank you for calling it out! Written/Posted by: Butch Roy on behalf of the leadership team at HUGE
We are excited to announce the auditions for Throwback 2020 running Fridays at 8p in January & February. This season’s forms are Cat’s Cradle, The Living Room and Deconstruction. Directors are Jill Bernard, Rita Boersma and Hannah Wydeven.
Use this form to request an audition for any/all of the following groups:
Cat’s Cradle – Directed by Jill Bernard: Assistant Director – TBD Rehearsals :: Saturdays 1p-3p, Oct 26th – Dec 28th (no rehearsal Nov 30) and Friday Jan 3rd 6-7p Deconstruction – Directed by Hannah Wydeven ; Assistant Director – TBD Rehearsals :: Sundays Oct 20th & 27th, 4-6p and Wednesdays 7-9p, Nov 6th-Jan 1st (no rehearsal Dec 25) Living Room – Directed by Rita Boersma ; Assistant Director – TBD Rehearsals :: Saturdays 10a-12p Oct 26th-Dec 28th (no rehearsal Nov 30) and Sunday Dec 15th 1p-3p
AUDITION TIMES will be scheduled: Saturday 10/5 from 10am-5:30pm Wednesday 10/9 from 4pm-7pm Options will be removed as time slots fill
Throwback Night will run Fridays at 8pm in January and February at HUGE Theater
We tried to be as consistent as possible but space is limited at HUGE so there are a couple one-off times here and there. Please check to make sure you are able to make the scheduled rehearsal times for the show(s) you would like to audition for – rehearsals will run 8-10 weeks (approximately end October-early Jan with possible holiday breaks), cast are expected to miss no more than 2 rehearsals.
This just in from Director, Molly M Ritchie and Asst. Director, Kim Sigler:
“Hi, everybody. It was such a hard decision. Kim and I debated for hours about who to cast. We could have easily cast the show four or five times over because of the amazing talent and craft we saw. In the end, we wanted to try to get a mix of people who have done the show before, people who haven’t done the show before, people whose work we are familiar with, and people who are new to us. Thank you very much to everyone who auditioned. Please let’s find ways to work together in the future. Happy Holidays, prematurely. -Molly & Kim”
The cast for Family Dinner 2019:
Alexis Camile Butch Roy Deepika Pangarkar Hannah Wydeven Jake Scott Janay Henry Jen Scott Katy Kessler Kelsey McGregor Laura Berger Maureen Tubbs MJ Marsh Rita Boersma Sam Baker Harris Sam Landman Sean McKenna Tom Winner Vann Daley
It’s that tiiiiiime! The Show Proposal form is now open for the month of September. We will be accepting proposals through Sept. 30th, 2019. We schedule the majority of shows 6-8 months out, though we hold a few programming slots open to have greater flexibility to schedule 1-3 months out.
If you have any questions, please feel free to send them to firstname.lastname@example.org. Can’t wait to see what you’re all scheming!
Thanks, as always, for considering HUGE as a potential venue for your show.
Family Dinner is holding auditions to add performers to the current cast. CLARIFICATION: Director Molly Ritchie has already cast some people. This would be supplementing that cast.
Please fill out this form to request an audition time for Family Dinner 2019- directed by the show’s creator, Molly Ritchie. Assistant Director: Kim Sigler
Back for its eighth holiday season at HUGE, Family Dinner is improv done in the genre of realism. An unscripted dramatic comedy in two acts about a family gathering for a holiday meal. Act One is the arrival, Act Two takes place at the table while eating REAL FOOD.
Thank you very much for your interest in Family Dinner 2019!
Family Dinner will run Fridays and Saturdays, 8:00PM, Nov 1 – Dec 28 2019 at HUGE Improv Theater. You must be available for at least 6 shows. Scheduling will vary.
will be held at HUGE Theater. You will be notified of your scheduled time via email.
Sun. 9/1, 12:00 – 7:00 PM
Wed. 9/4, 4:00 – 7:00 PM
will be held at HUGE Theater (3037 Lyndale Ave S, Minneapolis)
Wednesdays 9/18 – 10/30, 6:00 – 8:00 PM, and
Mondays 10/21 & 10/28, 6:00 – 8:00 PM
You must be able to attend at least 7 of the 9 rehearsals to be considered for casting.
PAY There is a $50 stipend paid per performance you are scheduled.
If you cannot see the form, please click this link: